Carolina is 20 and she has Down syndrome. She met documentary director Mariana Viñoles five years ago, and now here they are making a film together at Caro’s mother’s kitchen table. The method is utterly transparent: the camera points constantly at Caro, exploring her face, her arms and her hands – as if, together, they formed a landscape. Viñoles asks questions and Caro responds. In addition to discussing her life, being in love and Pablo’s wonderfully long kisses, she talks about what it’s like to be making a film. All the time, life goes on as usual around them: a baby is slid into the frame.