Men at Lunch

  • 8.6 10
  • 2012
  • 57min
Men at Lunch
  • Original Title: Men at Lunch

This documentary uncovers the untold story behind the legendary 1932 photograph of eleven men eating lunch atop a steel beam high above New York City. Through interviews, research, and archival material, Men at Lunch explores the image’s origins, its cultural impact, and the mystery surrounding the men who risked their lives for an unforgettable picture.

Men at Lunch
Awards

AWARDS
IFTA Award

OFFICIAL SELECTIONS 
IDFA
Glasgow International Film Festival
DocPoint Film Festival
Shanghai International Film Festival
Toronto International Film Festival

Unravelling the mystery behind New York’s most iconic photograph.

Men at Lunch is a captivating investigation into one of the most recognisable photographs of the twentieth century, the 1932 image of eleven steelworkers casually eating lunch on a girder suspended 800 feet above New York City. Directed by Seán Ó Cualáin, the documentary delves into the photograph’s enduring mystery and cultural resonance.

Through the voices of historians, photographers, journalists, and construction workers, the film reconstructs the context in which this striking image was taken. It examines the social and historical backdrop of early twentieth-century New York, a city defined by its immigrant labour force and the rapid rise of its skyline. The documentary questions the authenticity of the image and investigates the possible identities of the men immortalised in it, taking the viewer from Manhattan’s archives to a small town in Ireland, where surprising clues emerge.

Balancing meticulous research with emotional storytelling, Men at Lunch transforms a single photograph into a lens through which to view ambition, migration, and the human spirit that built New York.

Production Companies

Sontá Films


Best Documentary Films

Award-Winning Documentaries
Curated For You

WATCH NOW
Laurel Left

2275 films
And a new one every day

Laurel Right
Laurel Left

The preferred platform
of true documentary lovers

Laurel Right
Laurel Left

Half of all revenue goes
directly to the filmmakers

Laurel Right