Learning cinema at the popular film school, and working collectively and actively at the Feciso Social and Antisocial Film Festival, a window for the exhibition of contemporary creation outside of Eurocentrism and dominant cinema. From his first works he focuses his cinematographic search on dominant political skepticism. , indifference in the current political image and everyday language as tools in the representation and situation of movement and space. Films (co-directed) such as El Pejesapo, Mitomana and El Destapador are proof of this.
